Agnès de Cayeux is a French artist whose work primarily focuses on the vulnerability of technologies and their hold over our bodies and thoughts. She is interested in machine memory, computer languages, and the way feminine figures - both real and virtual - are inscribed in our technological universes. From one to the other.
Since the 2000s, her work has been situated in the field of digital arts and new media. Invited as early as 2001 by the Centre Pompidou to participate in the 'Web Féminin' programming, she develops work that combines interactive environments, conversational agents, AI, computer languages, and literary narratives. From the Jeu de Paume to the Venice Music Biennale, she develops an incessant dialogue with emerging technologies, exploring machines and their algorithms - drones, VR, AI, ambisonics, and RISO as tools of sensitive and cultural perception. Since 2011, she has been working on our eco-technological questions from Greenland and our fiber optic cable routes, carrying sensitive data and exhausting the memory of our ice, ice floes, and icebergs.